The first paper examines the Area of Study, Belonging. b5�:O��a�A⑅�y���❏"W%��s��c8��4u�I��a���ɺ�%��Zy/~JE2E���|)����ǥ�*��i��dݬL��'IQV~-1qm�ғ��x�˜]R�'�VSC�����}�PJ/ϦtS�p��jL�>e��%�q�,"�|�׫m��Z�=����g��[Qd��ʼn%�Wਵ���#�5j=2C� Introduction; Written examination. Marking guidelines are also included. These responses demonstrated an understanding that the significance of the artist’s choice to engage in a collaborative practice was a crucial component in fully addressing the question. There was strong interest in the practice of contemporary artists, and a growing interest in the use of highly detailed fine-point pen to render highly patterned surfaces and create elaborate tonal ranges. On finishing "artwork no. It is excellent practice for HSC students and assessment tasks. The most popular expressive form is still Painting; however, there was significant increase again in Photomedia, with a continuing interest in digital forms. These artists and artworks were discussed with reference to the collaboration they had established which in turn had influenced and shaped their artistic practice. Some candidates could have made stronger critical curatorial judgements about the inclusion of some pieces, and teachers are encouraged to assist candidates in refining their choices. Due to temperature fluctuations, materials such as wax can become unstable. Many candidates identified the work as postmodern and in this context defined its hybrid qualities. There were a range of responses to the body of work, including single works and works with a number of individual pieces. We’ve put together a bunch of past papers for your convenience right here! A number of responses focused on conventions of portraiture and traditional techniques, thereby placing the artwork in the context of the time. Acrylic paint on canvas dominated, but some submissions used oil paint and sticks, watercolour, gouache and inks. Do you struggle sitting exams? In better responses, candidates made a careful examination of the source material, exploring and analysing the signs, symbols and stylistic qualities found in the painting. It is advisable to consider and have awareness of these components. The subject rules on size, weight, dangerous and prohibited materials and duration apply to works whether they are marked corporately or itinerantly. Conceptual concerns included world environmental issues, investigations of the natural and built environments, cultural investigations and the human condition, in particular conflict. This paper has been written to provide an authentic examination experience for Paper 2 Modules. 2010 Trial A HSC English Standard Papers 1 & 2, Two versions of the paper are available: Word, The Word version is for a teacher as it can be easily cut and pasted and is copyrighted, to use with multiple students. Du�8�!��V��2� S"Ҧ. Hand-made and self-published books were a popular form and ranged from the visual narrative genre to personal accounts. Candidates should ensure that the software and the format for presenting works on DVD and Monday, September 6, 2010. All submitted works must be labelled. It includes marking guidelines and sample answers for all the short answer questions. Past papers are no longer directly viewable on this site to comply with NESA Copyright Policy. These responses successfully argued that artworks can be interpreted from a range of perspectives including those of artists, critics and audiences. We pride ourselves on our inspirational HSC Visual Arts coaches and mentors! 25 marks • Attempt Questions 1–3 • Allow about 45 minutes for this section . NESA has no involvement in or responsibility for any material appearing on this site. The overall mood of the work has come across awesomely! Visual Arts . A strong study of relevant artists and their practice, along with contemporary issues and ideas in the artworld, was evident in many of the submissions. Candidates should clearly label VHS, DVD and CD-ROM submissions with the format and program used. Sequential narratives were popular, and the scale of submissions varied from small intimate works to large-scale prints. This of course was bound to happen considering the cropped view, but even so it has now become evident in my technique that I am paying closer attention to the detail in my drawing as opposed to the photo I'm drawing. Glaze was used sparingly and matt surfaces predominated, reflecting knowledgeable restraint. An awareness of the audience, and how artworks communicate meanings in a range of contexts, was also reflected. A diverse range of artists was referenced including Monet, Matisse, Duchamp, Pollock, Warhol, Smithson, Christo, Chicago, Orlan, Kruger, Goldsworthy, Henson and Banksy.

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