We’re here to help! Leave it with me Ivan… and keep sending me great ideas. Because the form just contains 10 measures, it is usually repeated many times in a performance. 30 D‹ dorian A7(#5) B¨Œ„Š7(#11) A‹7 E¨7(#11)/G F©7(b9) D‹/B dorian 2 Blue in Green is the third track on Miles Davis’ album ‘Kind Of Blue’ which is the best-selling jazz album of all time. There’s an interesting back story about this. There are people saying that this is a bill evans composition!Is that true? It is always inspiring to hear from professionals who are out there living the dream as a hardworking musician! Blue in Green is a wonderful jazz standard written by none other than Miles Davis and was the third tune on Miles’ Kind of Blue album which was recorded in 1959. A good exercise would be to listen to a few of the famous versions and count where the melody and chords are being placed in the bar. Blue in Green is a wonderful jazz standard written by none other than Miles Davis and was the third tune on Miles’ Kind of Blue album which was recorded in 1959. Minedit is a social online encyclopedia, which is currently in its beta stage. Print and download Blue In Green sheet music by Miles Davis arranged for Trumpet. Ever wondered where you could find the Blue In Green Lead Sheet? Ask questions and get instant replies from our team of teachers. Luvzr renamed Blue in green - Bill Evans lead sheet & song (from Blue in green - Bill Evans lead sheet & song (ughhh <3)) Luvzr renamed Blue in green - Bill Evans lead sheet & song (ughhh <3) (from Blue in green - Bill Evans lead sheet & song <3) Required fields are marked *. Your email address will not be published. Miles claims in his auto-biography that he wrote all of the tunes on Kind […] Miles Davis took credit for it, but years later during a recorded interview by Marion McPartland, Bill Evans said he composed it. As with all jazz standards, both the melody and the harmony are open to interpretation by the performer/arranger. According to the lead sheet, the melody note falls on the 2nd beat of the bar. When playing jazz standards, analyse the melody notes in terms of scale degrees relating to the underlying harmony. Basically you can do anything. Great lesson, thanks. Check out this tutorial next Ivan: pianogroove.com/jazz-piano-lessons/cluster-voicings/. Download theory supplements, midi files, chord changes and full note-for-note transcriptions of every lesson. If you like the fact that we’ve made it easy for this lead sheet and chart to be found, we would very much appreciate it if you could share this with your friends and fellow musicians. The 10-bar form is much shorter than most jazz standards, and is even shorter than a 12 bar blues. Check out the many Bill Evans recordings of this tune for additional inspiration. Give it a try with this tune, and then pick a faster medium/up tempo tune – and you will see what I mean! SKU: MN0054866 Thanks again. Can’t wait to get to part 2 of it. Even better using a metronome because then there is no room for human error!

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