persepolis panel analysis

Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Teach your students to analyze literature like LitCharts does. In the playground the kids are using there veils for jump ropes and in the bottom right there are two girls playing piggy back with the veils. Marjane’s father, an avid detractor of the current regime, here tells an ironic story about the way that fact and fiction get confused in the turmoil and passion of the revolution. Again we have a series of women who, because of their veils, share a common appearance. The image also displays a snake-like creature slowly wrapping itself around the border. From panel one, this is in fact the author which gives the image the verisimilitude that carries throughout the text. Analysis on graphic novel - Persepolis by Marjane Satrapi. By using our site, you acknowledge that you have read and understand our. *One last quick point I think is worth taking from this presentation is the distinction Chaney draws between graphic novels and cinema. This image that comes near the end of the book when Marjane and her friends have been arrested, and shows them all lined up sitting in a cell. It’s a form of dramatic irony that anyone who knows about the recent history of Iran can see coming. In class, we have watched a trailer about this story. Satrapi uses an image that can only be read as from the character’s own perspective which is a characterization tool for the reader. Detailed Summary & Analysis The Veil The Bicycle The Water Cell Persepolis The Letter The Party The Heroes Moscow The Sheep The Trip The F-14s The Jewels The Key The Wine The Cigarette The Passport Kim Wilde The Shabbat The Dowry Themes All Themes Religion, Repression, and Modernity … This is a presentation focused specifically about the ways in which the graphic novel is able to create unique social representations between protagonists and their society through their visual juxtapositions. Our, LitCharts assigns a color and icon to each theme in. So the effect is almost a reverse from the onset where now it is the words that are incapable of telling the real story, and Satrapi as both author and protagonist affirm the image’s significance once and for all. It almost symbolizes this circle of dictatorship that the Iranians have gone through many times. Ironically in how these two images parallel each other, they draw our attention to everything that had to occur and change for the character to make her come full circle. Each of Persepolis’ panels can be considered both individually as one casts a specific moment in time and/or single perspective as well as with section as a complete narrative block. From the book, I found this page interesting. Change ), You are commenting using your Google account. Internally however, the first panel assures the readers that not only is our heroine one of these specific girls, but in having “This is me” be the graphic novel’s first three words, it rejects the expectation for this image to merely a representation of her. In juxtaposing this image to the novel’s first one, the entire arc of Marjane’s character is highlighted. ( Log Out /  ( Log Out /  Detailed explanations, analysis, and citation info for every important quote on LitCharts. (including. In the 5th panel it shows how they are playing in the playground. The original text plus a side-by-side modern translation of. So with this in mind I want to add something beyond Chaney’s analysis of the first two panels, and say that the veils accomplish something more for the reader here: they draw us straight to the character’s expressions and so to their internal characters. The first panel takes place immediately after the Shah had been overthrown and Marji’s parents feel relieved that the rebellion is finally over and they don’t have to have a repressive government. Its narrative style attracted me. Absolutely True Diary of a Part Time Indian Essay. How we try to find meaning somewhere in between” (17:00). Persepolis. Plot Summary. This happened first with the emperor of the Persian Empire, then the Shah, and now the New Regime. From the creators of SparkNotes, something better. In this image, Marji’s parents are celebrating the success of the rebellion. Persepolis Introduction + Context. Create your own unique website with customizable templates. LitCharts Teacher Editions. Persepolis Persepolis Summary & Analysis | LitCharts. What the presenter Michael Chaney directs the audience’s attention toward is how graphic novels are structured to couple two distinct “symbolic systems” in words and images, and how even on the level of quantifiable plot details they can disagree with each other. If this were not the case than the form would have no purpose and this collection could provide everything a traditional novel could, and all its movie does but without consequence. The introduction of the image into any novel presents a new set of possibilities for the author and a new way to converse with the reader. As a result, Persepolis provides ample examples for a Marxist analysis. Instant downloads of all 1372 LitChart PDFs So in a sense, it is the reader who fills in the image’s detail thereby achieving a greater believability in the character by the reader (~2:50). She is still too young and still sees everything as right or wrong, good or bad. Externally, both images open the novel with relatively little detail between these five people and especially as each girl wears a veil outwardly much of their character is indistinguishable from the other. The Shah had just fled from Iran and everyone celebrated happily. There is also nothing in either of these panels to distinguish setting, so what connections the reader can make come only from their expression. Although the caption clearly narrates a torture scene, the image of the victim doesn’t portray the gruesome details an adult reader knows the narrative would have contained. This is not to say the written Persepolis is any way lesser than the visual one, but only that the graphic novel relies on the image for effects of story it doesn’t find suitable for language. The text is in relationship to the panels it is attached to and yet if the choice to write a memoir in the graphic novel genre accomplishes anything, at the very least it challenges the role of the language. There will be panels in which the word completely over powers the image or the image out-weighs the text, and while they still work together it is vital to bring their relationship into view for the novel to be more fully understood. Summary The re-election of Mahmoud Ahmadinejad led to protests. Then analyze them according to the graphic novel conventions. The first panel takes place immediately after the Shah had been overthrown and Marji’s parents feel relieved that the rebellion is finally over and they don’t have to have a repressive government. Change ), You are commenting using your Twitter account. Lastly, I want to show the panels of Farzad’s death in which for three full pages there are no words save for “And then one night.” It seems that after three hundred pages of balancing image to text Satrapi is finally willing to let the text go and allow the reader’s training to take over. According to Chaney(~3:50), this panel shows Marjane’s character both internally and externally. Instead of answering Marjane’s question about her grandfather, Marjane’s grandmother avoids talking about his torture by talking about other difficult but less traumatizing subjects. Persepolis Panel Analysis. VLOGS; SUMMARIES; PANEL ANALYSIS; PANEL ANALYSIS. And it is because of this effort he says that while the cinematic audience remains a passive spectator, in graphic novels they must be something else entirely (~8:45). WEEK 1: Daniel Mora . For Chaney, graphic novels demand that the reader is constantly engaged in connecting the images to their text and the single panels to the novel as a whole.

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