real women have curves discussion questions

But Status stories are about our personal definition of success, influenced from within and without, what we’re willing to compromise to obtain it, as well as how we react to opportunities and misfortune. The Status genre is the internal genre here, and we concluded the global genre for the story.

For example, Ana’s crisis could simply have been moment tagged on to the end of the underwear scene; something to clue the audience into the fact that she’s rethinking her early decision to comply with her mother’s wishes. Have you ever had to make similar difficult decisions. I personally admire Jennifer Hudson and Jonah Hill for taking control of their bodies and taking positive steps toward their health.

Ana’s mother defines family responsibility liberally, and believes that this is more important than personal dreams/purpose (of course she would, otherwise she might conclude that she wasted her life or was less than for not having different ambitions—which is not the case, but we don’t always see our own lives clearly). I was tempted at first to call it a maturation plot, but that doesn’t fit the bill; Ana’s worldview doesn’t change (much). Leslie: I think the shift in Ana seems small in part because of the specific genre. It’s a tough call for her but she realizes that in order to break out of the East LA cycle, she needs to sacrifice something. I think the portrayal of the family could relate to different types of cultures, especially the relationship with Ana and her mother. Expert Answer . Ask question about REAL WOMEN HAVE CURVES MOVIE get answers. It wasn’t exactly what I expected from the title, but it turned out to be a nice surprise. Her status within the family does shift (from the one who is only fit for sweeping floors for free, to the only one who rising above her socio-economic standing). When a weak protagonist succeeds against the odds, we’re in the Sentimental subgenre. Ana’s mother will not come out of her room to say goodbye. I feel like her mother is the way she is because of her past culture and ideals. This week we stitch up the Status genre with 2002’s Real Women Have Curves, written by Josefina Lopez and George LaVoo, and directed by Patricia Cardoso. The lovers kiss scene was cute as well as her buying condoms and them eventually having sex. Jarie: I love the 1st person, man on the street camera work along with the grit and grime of East LA. This is just a classic conflict between mothers and daughters, especially 1st generation and 2nd generation ones. Ana shows her application to Mr. Guzman. The characters in this film are very likeable and relatable which really added to the drama of the film. The audience is expecting to see them. Many women who are revered for their “ideal bodies” are anything but healthy, with psychological disorders such as bulimia and anorexia often working behind the scenes. It is sad to see it, but it happens more and more everyday. I think sometimes that women are picked to show these issues because they are expected to be more connected with their family and place more emphasis on their families opinions as well as pleasing them. In front of her boyfriend she makes repeated comments cutting down her own image that you do not hear her say in the presence of just herself or the women around her. Raul makes a half-hearted attempt, but backs down pretty quickly. Media Studies – Watch “Real Women Have Curves” (2002), “Joy Luck Club” (1993), or a similar film, and examine how younger generations view the more traditional roles of women … The level of detail is fantastic. Something to think about. This is a message that many different organizations are attempting to stress to girls, who are being subjected to more media images defining the perfect woman as an unattainable goal each day. I interpret the situation similarly that gender and typical gender roles are relevant. Essentially it says that every element in a story must be necessary; if you set up expectations in the audience, you need to pay them off. Although there are other people like Carmen who thinks the same way and probably the only way to change them is to make the children change the parents way of thinking or disobey their parent.

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I liked how Ana’s character became more confident in her body image because every other aspect of her she had confidence in. Change ). I disagree however, that us as let say normal people don’t feed into what is acceptable in the media. Required fields are marked *. Good point about how Ana and Carmen are alike. Ana insults the woman who pays Estela for the dresses. She tells her that women have thoughts and ideas. Also the convention of “the vanquished are doomed to exile” is played out here by her mother who chooses to exile herself, by leaving the room as well as by staying in her room when it’s time for Ana to leave. The statement "Real women have curves" is to make women who are larger in size feel better about being curvy. She thinks she can juggle both worlds. Do you see any of these struggles as related to being Mexican American or simply because she is a young woman? I don’t think there is a crisis question as such. I wanted and didn’t get a scene were she helps her sister confront the rich business woman and actually get a better price for the dresses they make. You must strive to be comfortable in your own skin: even when others are viewing it. Even the women in this movie that were not by any means small, still had criticism to women who were bigger. A clear Point of No Return/Truth Will Out moment, when Protagonist knows they can never go back to the way things used to be: Ana is becoming a women and on her own terms. Anne: When Mr Guzman comes to Ana’s birthday party, I was struck by how very similar the scene was to the one in Billy Elliot where Mrs Wilkinson, Billy’s dance instructor, comes to Billy’s house.
I especially agree with your last statement! Carmen is clearly the matriarch of the family, and she expects her daughters to treat her as such. It’s pretty on the nose and obvious.

Cast in the movie Dream Girls, in the film she is unable to shine as brightly as Beyonce due to her appearance and weight. Protagonist Gives Up What Has Kept Her Stuck: The Protagonist sacrifices some part of her past to move into the future. ( Log Out / 

My parents wanted us to succeed in life and do better than they did. She thinks she can juggle both worlds. It represents a tool she can use to grow into her true nature. As such, I think Real Women Have Curves misses key obligatory scenes; namely the middle build crisis (where Ana thinks for herself: a clear point of no return) and resolution (where Ana stands up to her mother). She must separate from the Dependent World and stand on her own. I think the problem I have with the film, and why it doesn’t feel very satisfying to me, is that the value shift goes from compromise to success. The other women in the factory take off their clothes too and declare that they are beautiful. Mr. Guzman comes to the family home and lets Ana know she’s been accepted to Columbia with a full scholarship. In the mini-plot stories, multiple characters express opinions on the controlling idea or theme of the story. Males are not seen as “needing” a wife, and that they need to look a certain way. When a weak protagonist succeeds against the odds, we’re in the Sentimental subgenre.

Furthermore, the force of antagonism needs to have a point. What kinds of barriers does she face in ... Microsoft Word - REAL WOMEN HAVE CURVES questions… We have embraced different body types for regular people we see, but when someone is on television we still want them to have the “pretty face”. Women are placed under much more pressure than men to look a certain way, and to make their appearance a priority. Price of Conformity: What the Protagonist loses when she is deprived of her true self. What are the common roles for Chicanas in the film? Ultimately, she needs to let go of her desire to win her mother’s respect, because their worldviews are too different.

Some justify their anorexic behavior by saying that anyone who isn’t stick thin is obese, placing girls on a obese/sick thin dichotomy, which is such a problematic perception that is not helped by the current media landscape. When she and Jimmy get intimate and he accepts her for “what I look like”, Ana then drops her self-loathing or at least stops hearing what her mother tells her. The protagonist, Ana, starts in a working-class immigrant family that places a low value on education, and ends up at an Ivy League university. Some how there has to be a balance for young girls to model themselves after.

The Status genre is a powerful one for “not falling into the same old groove.”. Ana helps her mother (who is feigning illness again) back to the factory. Ana was also probably the first person in her family to even have the possibility of creating a new reality. Thanks for the question, Heather! On one hand, I find the dialogue around sexuality and body positivity incredibly important and well-done. The protagonist, Ana, starts in a working-class immigrant family that places a low value on education, and ends up at an Ivy League university. The conventional Obligatory Scenes for a Status Story follow the Hero’s Journey, but in this particular story, Ana’s journey  fits within the Virgin’s Promise better. The VP and HJ are similar, as Hudson explains, they are two halves of the same relationship with the self: self-fulfillment and self-sacrifice. The filmmakers didn’t pay off the red dress and college essay. I agree with you and this is a very sad reality. Among the women in the sweatshop, she is confident and proud: but when she is viewed by men she is anything but that. The protagonist, Ana, starts in a working-class immigrant family that places a low value on education, and ends up at an Ivy League university. Ana has packed and is leaving for the airport. Valerie: The obligatory scenes and conventions of the global genre need to be on the page (or on the screen in this case) and they exist to satisfy audience expectations. Further to Anne’s point: I wouldn’t call the missing scenes cliche, I’d call them pay-offs. Also, if we could learn about the future and see where Ana goes with her kids, if she even has any. Like I mentioned during the discussion I thought that the movie overall wasn’t the best portrayal of either latinas or teenage women especially for those who struggle with their body image.

Health needs to be explained as a feeling, a wellness, and a way of life; not as an appearance or a way to become “skinny”. I wondered if the red dress could represent the Virgin’s Promise step of Dressing the Part. Ana’s father has a more nuanced position and believes in pursuing dreams. Real Women Have Curves is a success story. I’m coupling these two elements because they play off one another here. The cautionary version shows us what not to do, by showing us a protagonist falling from a stable place in society, down through compromise, failure, and finally selling out–which is another way of saying “failure masquerading as success.”. Her parents aren’t worried because they can tell Mr. Guzman and Ana no. This is a straightforward, linear story, very simply told. Society today seems to send a mixed message of healthy and skinny. The baseline controlling idea of the positive status story is “Success results when a person is true to their values whether or not it leads to social betterment.” Here we have a protagonist whose own inner values are unformed at the beginning, and she has to learn to respect her family’s values before she can earn their respect.

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