The second section begins when Tybalt enters the scene. . In the Luhrman version the two cars crash and Tybalts gun falls out, they then fight for the gun, in the end Romeo gets the Gun and shoots Tybalt repeatedly. The stage also provides several characters an alternative vehicle for expressing their emotional development, or lack thereof. })(window, document, 'script', '//www.google-analytics.com/analytics.js', 'ga'); Web. Yates story of 1950's America poses a question that has been reverberating through modern relationships ever since: can two people break away from the ordinary without breaking apart? The Verona beach setting enable the classical play to take on a modern-day touch that would easily relate to people in the 1960’s and also today. Change ), You are commenting using your Google account. Lurhman's is better to enjoy and would rather by me because new is better. Romeo still doesn’t want to fight, after all their family now, although no one knows this apart from Romeo and the audience. Moments later, ">Mercutio is killed there, symbolizing a loss of innocence, a violation of purity, and a defamation of a natural order. (function(d,s,a,b){a=d.createElement(s);b=d.getElementsByTagName(s)[0];a.async=1;a.src="https://static.addtoany.com/menu/page.js";b.parentNode.insertBefore(a,b);})(document,"script"); DOMAIN = 'artscolumbia.org'; Change ), You are commenting using your Twitter account. O Romeo, Romeo! Such as In the Luhrman version all the actors use guns whereas in the Zefferelli version all the actors use swords, all though the language is kept the same in both versions the weapons are called swords. Zeffirelli uses elaborate and over the top acting in order to portray the scene in a heart wrenching love story type of way. She is able to portray her love for Romeo simply by whispering the exact same “O Romeo” line and all the while keeping her body language calm. Both of the directors generate emotions from their respective takes on this particular scene. Whenever the kinsmen of the two families meet, they always seem to fight, verbally and physically. In the Zefferelli version he chases after him on foot whereas in the Luhrman version a car chase breaks out. The Capulets and Montagues are each other’s competition business-wise, and that is why Romeo and Juliet can’t be together. (2012): 398-412. window.a2a_config=window.a2a_config||{};a2a_config.callbacks=[];a2a_config.overlays=[];a2a_config.templates={}; The Montague’s wear loud colourful shirts, jeans and are pretty laid back; the Capulet’s wore black suits, steel heel shoes and look like a mafia gang. Romeo and Juliet is truly a classic play written by Shakespeare. Analytics.previewButton = '.artscolumbia__essay-info__preview a'; Both directors execute act 2 scene 2 fairly well, however Luhrmann transports the classic play to a familiar setting in order to have it relate to a modern-day audience, thus in my opinion he did it right. I don't think I would be able to watch and enjoy Zefferelli's because of the scenery and how old it is. The Zefferelli version which is set in Verona, Italy in the Tudor times and the Luhrman version which is set on Verona Beach, America from the present day. Act III, Scene 1: The Death of Tybalt. It's more like what the scenery was like when it was written and would of take place then. I prefer Lurhman's simply because it is basically modern. Adapted from the landmark novel by Richard Yates, Revolutionary Road is an incisive portrait of an American marriage seen through the yes of Frank (Leonardo DiCaprio) and April (Kate Winslet) Wheeler. Verona as Venice Beach: Adaption in William Shakespeare’s Romeo + Juliet. Both Mercutio and Tybalt are passing insults back and forth. Not only that, but the scenes presented in the shots are chosen specifically to give an uninformed viewer an insight into the turbulent nature of this story;... "Romeo and Juliet" was written by William Shakespeare in 1595. Luhrmann clearly distinguishes the downtown area from the beach. Analytics.checkerButton = '#bla-essayCheck'; Hi there, would you like to get such an essay? https://www.youtube.com/watch?v=ickdnrr9esU Luhrmann’s seamlessly humorous pool scene ties in the Verona beach star-crossed lovers idea perfectly, while on the other hand, Zeffirelli’s 1300’s overprocessed backyard teenage love scene over plays the importance of the feelings and urgency, thus ruining it. Catholic imagery, visible in scenes featuring characters of both houses, manifests itself mostly in the form a cross. Post was not sent - check your email addresses! ga('create', 'UA-90324623-5', 'auto'); What light through yonder window breaks? a.appendChild(r); She is so elaborate, awkward and over directed. There is a sense of fair play in both versions. Before dropping to he’s death he says “a plague upon both your houses”.

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